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Combine. 2nd movement- Records - For Two Piano and Effects Pedals (2005)

Ever since seeing Grandmaster Flash give a musical demonstration of hip-hop record spinning in 2005, I have been fascinated by the idea of taking two distinct musical materials and overlapping and crosscutting them to create something new. My first attempt at this was Combine, in which I wrote two separate piano pieces and, using effects pedals, treated them as if operated by an imaginary turntable performer. The first movement, Harvester, was based on the rhythm and construction of Harvester engines I heard growing up at my grandparents' house in rural western North Carolina. (Winner of 2006 ASCAP Morton Gould Young Composer Award) 

Into the River and Through the Wood

1st movement - 'Suspension' (2007)

Prepared Piano and 3 percussionists

A lot of my music is based on favorite memories of sounds from childhood, like power tools and listening to music while snorkling in the bathtub at home. And, of course, the sound of the shark rising out of the water at the end of Jaws!! That was amazing hearing the frequencies submerged and altered above the surface.... Growing up I had a VHS copy of Jaws recorded off TV that I played in the background while I practiced piano and did homework. Good times. Anyway, so back to this music!... I took the song 'Over the River and Through the Woods' and pretended to submerge and shred it with a chainsaw. I used weather stripping (putty type) on the piano strings for doubling pitches, quarter tones, and bringing out certain harmonics. The upper piano part shows what is played, the lower shows what is heard. Probably the only time I'll write in a score, "Like an underwater fart rising to the surface..." For the love of hydro-acoustics. (2008 ASCAP Young Composer Awards)

         The Magic Word - Etude No.3 (2015)

                 Jurassic Park/Dennis Nedry Tribute

for 2 vocalists, 2 keyboards, 2 percussionists, electric bass

I saw Jurassic Park the first Friday morning it came out in June 1993, and it was the most memorable movie I saw in the theater growing up. I saw it probably 4-5 more times that summer and played the hell out of the JP pinball machine at the local arcade, also wrote a piano arrangement of the various themes. I could go on and on, but about this song:

 

"Ah ah ah, you didn't say the magic word"

This song is about Dennis Nedry, the Jurassic Park computer security character played by Wayne Knight. Nedry in the book and film is killed by a venom-spitting dinosaur, Dilophosaurus, while trying to smuggle dinosaur embryos out of the park in a Barbasol can. This song imagines he survived, collected the 1.5 million reward for the stolen embryos, and wrote a diss track to his former Jurassic Park employers. Nedry now sees himself as some kind of lady's man. The lyrics are all Jurassic Park-related, now with sexual innuendo. This recording features the wonderful Debrissa McKinney. The score is written in 4/4 and 5/8, but it's a little more like 13/8 over 4/4, sometimes 7/8.

I later made a found footage music video for it with CGI dinosaurs and all my childhood JP memorabilia. And my dad even played the role of Dodgson! 

                          Finale to Barbeque Man Unleashed:
The Greatest Professional Wrestling Ballet of All Time (2012-2013) 
                                                   (Condensed Score)
For Lewis: Etude No. 1 (2014) 
My first attempt at rhyming in multiple stacked time signatures. Told from the perspective of a man who was repeated invalidated by a guy named Lewis in group therapy that he would never have his own dance. In 13/8, 4/4, and 7/8. 

I never saw the Tom Cruise movie The Last Samurai, but I wrote a song on what it's probably about

Truest Haiku

Truest Haiku - Paul Swartzel
00:00 / 01:20
A piano with a whalebone rib cage for a lid.jpg

Was a little boy in Japan
(And this is true)
It was hard times, Pre-World War 2
Pre-Kamikazes comin down from the sky
when Tom Cruise ruled as The Last Samurai
.....and he was a tyrant

Threw the boy's mama in the Slam
Cause she blew
Outlawed Tunes on the Japanese Flute
meaning Dance Hall Days, Wang Chung cover band,
Boy got in his truck, went down to jail, and made demands:

"Hey Cruise, I'm here to do three things:
Get my mama
Kick some ass
and play some Japanese flute music....
Looks like I'm almost outta flute, MANE, gimme my mama."


Cruise told him to beat it and scram,
"Disperse!
Wait, ya want ya mama, ya better gimme a verse
bout something sacred to your kin."

Boy said a curse
The F word, the worst,
and on a whim
boy said with a grin

[oh, jus look at that grin]

"You want a haiku?
You can't handle a haiku

A Few Good Men 2"

The Director said "Cut!
We're gonna make a billion bucks!
Make a trailer that goes...
Weeeouuuooooewwwww"


And they did. 

Because

The Industrial Revolution
Has Been a Disaster
For The Human Race





 

Snake Bite Memorial

Snake Bite Memorial
00:00 / 01:10

Good day to you, and you, and you

and a Good Day Everybody, Hey!

That’s not how we do things in Indianapolis

 

Oh, No thanks to you and you and you

That's not how we do things!

That’s NOT how we do things in Indianapolis.

 

"The Snake Bite Memorial 

Takes up all the land with 

Names of those killed by snakes..

...lot bigger than our Vietnam...

and it’s shaped like a Snake,

One that swallowed an egg,

well, with no more room you gotta go up

with bigger font for the wealthy dead

 

Some parts an names removed,

now some soldier's souvenir

'Oh, we’ll get them back!'

That's what they say

at least election year... 

 

But not today

Not today.

 

Everybody sayin':

“Get rid of the snakes

Get rid of the snakes

Get rid of the snakes!

Get rid of em , rid of em......"

But that's not how we things in 

IN-DI-ANA-AP-PO-LIS

THAT'S not how we do things

No, we don't.

That’s NOT how we do things in Indianapolis

 

We got room to build.

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